La Paloma
For many, “Todavía no”, the Madrid band’s first LP after several juicy singles and EPs, is like a walk through a contemporary rock museum: each song a masterpiece, each note a bold brushstroke. Distinguished students of that new generation of guitars shaking up our scene, the creators of that generational anthem (and also of Monkey, yes) that was “Bravo Murillo” have surpassed all the expectations that fans had after their initial forays with a truly authentic album, one of those that speaks to you like an old friend: clear, direct, and spot on.
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